WEBVTT
Kind: captions
Language: en-US

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Well, apparently I have a million subscribers&nbsp;now.

00:00:05.367 --> 00:00:06.628
Thank you.

00:00:06.628 --> 00:00:11.562
I truly never thought that that would happen, but, well since it has

00:00:11.562 --> 00:00:13.967
I suppose it’s&nbsp; time for a celebration!

00:00:13.967 --> 00:00:16.841
Roughly an entire month later…

00:00:17.360 --> 00:00:18.824
So what are we gonna do?

00:00:18.824 --> 00:00:21.528
We’re gonna talk&nbsp; about this set

00:00:21.528 --> 00:00:24.106
which is real and exists.

00:00:24.480 --> 00:00:27.531
I oughta know, I built the thing and moved it!

00:00:27.531 --> 00:00:31.783
Now, a lot of you have wondered what exactly all the things are amongst the shelves,

00:00:31.783 --> 00:00:35.084
and&nbsp;now you won’t have to wonder anymore because I’m going to tell&nbsp;you!

00:00:35.084 --> 00:00:36.906
With words and visuals!

00:00:37.440 --> 00:00:40.526
First, what is the set? How is it built?

00:00:40.526 --> 00:00:44.787
Well, it hails from everyone’s favorite source of meatballs, IKEA.

00:00:44.787 --> 00:00:46.812
A 5 X 5 Kallax,

00:00:46.812 --> 00:00:47.819
kalLAX?

00:00:47.819 --> 00:00:48.601
Kaylax?

00:00:48.601 --> 00:00:50.214
unit makes up the main bit,

00:00:50.214 --> 00:00:53.673
and there are two 1 X 4 units on either side.

00:00:53.673 --> 00:00:56.793
These drawers and doors: they actually hold things!

00:00:56.793 --> 00:00:57.639
Look!

00:00:58.417 --> 00:01:00.871
I keep some of my camera gear&nbsp;
behind my head,

00:01:00.871 --> 00:01:02.476
and up here...

00:01:03.405 --> 00:01:04.318
is some junk.

00:01:06.400 --> 00:01:08.532
I got some white board markers in here,

00:01:08.532 --> 00:01:10.555
some probes in there for my oscilloscope

00:01:10.555 --> 00:01:13.099
which sits on top of the set where you can’t&nbsp;see it…

00:01:13.099 --> 00:01:15.946
and, uh, oooh!

00:01:15.946 --> 00:01:17.618
a TV remote!

00:01:17.618 --> 00:01:18.462
Curious.

00:01:18.960 --> 00:01:21.088
I also got some lighting from the meatball&nbsp;
store,

00:01:21.088 --> 00:01:25.291
just the basic warm white puck things but I’ve been pleasantly surprised by them -

00:01:25.291 --> 00:01:29.916
I did, though, spend quite a few hours with an industrial Sharpie making them black

00:01:29.916 --> 00:01:31.651
and not cream&nbsp;colored.

00:01:31.651 --> 00:01:34.533
I used electrical tape to make the wiring less noticeable

00:01:34.533 --> 00:01:35.904
against the black shelves,

00:01:35.904 --> 00:01:39.411
and&nbsp;the wires are run vertically along the edges behind it.

00:01:39.411 --> 00:01:44.569
Up at the very top there’s some cheap LED tape light&nbsp;
attached to a piece of quarter round trim,

00:01:44.569 --> 00:01:46.626
also blacked out with sharpie.

00:01:46.626 --> 00:01:50.176
And all the power cords and&nbsp;other
junk ends up down here

00:01:50.176 --> 00:01:53.061
in this terrible rat’s nest of wires!

00:01:53.061 --> 00:01:58.017
But it’s on a switched outlet so all I&nbsp;
need to do is flip a switch and it all comes on.

00:01:58.017 --> 00:02:00.990
Then of course there are the lava&nbsp;
lamps in a couple of the shelves

00:02:00.990 --> 00:02:06.514
(and I really should consider moving them, or perhaps&nbsp;
add more…)

00:02:06.514 --> 00:02:09.378
and we’ll get to the colored light elements in a bit.

00:02:09.378 --> 00:02:12.503
Oh, and the rest&nbsp;of these cubbies down here are empty because

00:02:12.503 --> 00:02:15.094
I haven’t been bothered to figure out what to&nbsp;
put in them yet.

00:02:15.094 --> 00:02:16.880
I am terrible at organization!

00:02:17.760 --> 00:02:22.130
But let’s get to the more interesting bits: the&nbsp;
contents of the shelves.

00:02:22.130 --> 00:02:25.101
Things have been rotated in and out a fair bit over time,

00:02:25.101 --> 00:02:28.034
and in fact&nbsp; I’d like to do more of that as time goes on,

00:02:28.034 --> 00:02:30.535
but it’s been fairly consistent.

00:02:30.535 --> 00:02:33.730
A not insignificant&nbsp;portion of the stuff in this set

00:02:33.730 --> 00:02:36.605
was given to me by friends and family over the years,

00:02:36.605 --> 00:02:39.296
and my fascination with these various objects

00:02:39.296 --> 00:02:42.934
is pretty much the reason I’m the&nbsp;
particular weirdo I am.

00:02:42.934 --> 00:02:44.000
So let’s discuss!

00:02:44.800 --> 00:02:46.525
We’ll start with these things.

00:02:46.525 --> 00:02:49.090
These are LED&nbsp; traffic light modules.

00:02:49.090 --> 00:02:52.974
I bought them for the first video that was made in front of the fully&nbsp;completed set, 

00:02:52.974 --> 00:02:56.679
"The LED traffic light and the danger of But Sometimes!"

00:02:56.679 --> 00:03:01.512
I still kinda want to get&nbsp;one that has a green lens so it’s a little more obvious what these are,

00:03:01.512 --> 00:03:06.535
but it turns out the clear&nbsp;lens on green is a rather common safety feature!

00:03:06.535 --> 00:03:11.173
If the sun hits traffic lights in the right&nbsp;
way, they can appear to be lit -

00:03:11.173 --> 00:03:16.761
a clear lens on the green light prevents it from appearing&nbsp;
green unless it is actually lit.

00:03:16.761 --> 00:03:18.027
Neat!

00:03:18.027 --> 00:03:20.435
But let’s move on to where there’s more stuff.

00:03:20.435 --> 00:03:23.968
Up&nbsp; here is my now dead Sony PRS-505

00:03:23.968 --> 00:03:27.732
which died with this excellent ghost image on the screen.

00:03:27.732 --> 00:03:33.147
It sits&nbsp; atop a fully-functional NES which is now a prop because I don’t use it enough.

00:03:33.147 --> 00:03:36.171
A gamer I am not,&nbsp;really.

00:03:36.171 --> 00:03:39.873
If nobody’s noticed this cartridge, this is for a Commodore 64,

00:03:39.873 --> 00:03:43.139
a copy of HesWare Turtle&nbsp; Graphics II -

00:03:43.139 --> 00:03:48.762
a sort of educational programming game slash software thing, if I remember right.

00:03:48.762 --> 00:03:51.931
I used to have a C64 and a bunch of random stuff for it,

00:03:51.931 --> 00:03:57.360
but I lost interest in it and, uh, well&nbsp;
no longer have much of anything related to it.

00:03:58.240 --> 00:04:01.045
Yeah… I regret that.

00:04:01.045 --> 00:04:05.270
Anyway, finishing it up we&nbsp;
have a Mold-A-Rama bust of Abraham Lincoln,

00:04:05.270 --> 00:04:08.038
made at the Museum of Science and Industry in Chicago,

00:04:08.038 --> 00:04:12.061
the transparent paints from my latest Christmas light coloring nonsense

00:04:12.061 --> 00:04:14.344
(which was now over a year&nbsp;
ago)

00:04:14.344 --> 00:04:16.893
and this old 12V battery from Radioshack.

00:04:17.360 --> 00:04:19.132
Next we have the Camera Corner!

00:04:19.132 --> 00:04:22.673
This is where&nbsp;the Canon F-1 and Canon T90 live.

00:04:22.673 --> 00:04:25.662
These were both permanently loaned to me by a family&nbsp;
friend,

00:04:25.662 --> 00:04:27.503
and I learned photography on these.

00:04:27.503 --> 00:04:31.955
Truly I wouldn’t have the proficiency to operate&nbsp;
a camera that I do without these,

00:04:31.955 --> 00:04:37.757
especially since I use a mirrorless camera which behaves more&nbsp;like a stills camera than a true cinema camera.

00:04:37.757 --> 00:04:40.358
Oh, and to those in the know, don’t worry -

00:04:40.358 --> 00:04:44.159
I do take the T90 out and exercise its shutter periodically.

00:04:44.159 --> 00:04:50.985
The T90 sits atop a stack of VHS tapes and a couple&nbsp;
of CDs to elevate it above this 120 box camera,

00:04:50.985 --> 00:04:53.394
which I have yet to actually use.

00:04:53.394 --> 00:04:55.157
That was&nbsp;an antique store find.

00:04:55.157 --> 00:04:59.659
And back here is a rather phallic sandcastle I found at a thrift&nbsp;
store,

00:04:59.659 --> 00:05:01.859
and behind it is a fake Swedish plant.

00:05:02.480 --> 00:05:04.489
Next we have a crystal radio!

00:05:04.489 --> 00:05:06.926
Yep, that’s what&nbsp;this box is.

00:05:06.926 --> 00:05:11.504
I don’t know if it actually works - it was a gift and I’ve no idea how&nbsp;to use it properly.

00:05:11.504 --> 00:05:14.549
But up here is the actual crystal and cat whisker,

00:05:14.549 --> 00:05:16.252
as well as the tuning&nbsp;knobs.

00:05:16.252 --> 00:05:19.657
I’m pretty sure this was a hand-made kit given the writing on here.

00:05:19.657 --> 00:05:22.349
It’s filled&nbsp;with some colorful audio cassettes up top,

00:05:22.349 --> 00:05:24.395
and some plain ones to its side.

00:05:24.395 --> 00:05:27.120
Sally&nbsp;the Snail sits slimily in front of it.

00:05:27.760 --> 00:05:29.951
And here’s a rather hodge podgey shelf!

00:05:29.951 --> 00:05:34.754
Center&nbsp;and most important is a somewhat rare telephone model called the Galion,

00:05:34.754 --> 00:05:40.892
hailing from&nbsp;the 1940’s and made by North Electric as a competitor to the Western Electric 302.

00:05:40.892 --> 00:05:45.390
It’s&nbsp;notable for being oriented sideways compared to most other desk phones,

00:05:45.390 --> 00:05:47.767
being wider than&nbsp;it is deep.

00:05:47.767 --> 00:05:50.985
It works, but unfortunately its ringer does not.

00:05:50.985 --> 00:05:54.566
I do however like that&nbsp;its original phone number label is intact.

00:05:55.120 --> 00:05:59.897
In front of it is a can of Silvertone recording&nbsp;
wire and a double light switch,

00:05:59.897 --> 00:06:05.840
and behind it is what I thought was a skein of red yarn, but is&nbsp;
probably large enough that it’s really a hank.&nbsp;&nbsp;

00:06:06.400 --> 00:06:08.971
Yes, a hank of yarn.

00:06:08.971 --> 00:06:10.845
Learn something new everyday.

00:06:10.845 --> 00:06:13.022
You can’t really see it head-on but it’s there,

00:06:13.022 --> 00:06:14.491
and that’s what counts!

00:06:14.491 --> 00:06:17.171
Back when I&nbsp;made the videos on analog television,

00:06:17.171 --> 00:06:20.352
I used this yarn to make the scanning animation.

00:06:20.352 --> 00:06:25.053
We also have a functional light socket holding a squirrel-cage Edison-style light bulb,

00:06:25.053 --> 00:06:28.808
and&nbsp;a modern LED version of this sits unused for…

00:06:29.086 --> 00:06:32.426
reasons. 
Oh, and there’s&nbsp;another fake Swedish plant.

00:06:32.960 --> 00:06:34.920
Next is the soldering station.

00:06:34.920 --> 00:06:39.055
This is actually&nbsp;where I keep my soldering iron and its associated junk,

00:06:39.055 --> 00:06:41.405
as well as my DC power supply.

00:06:41.405 --> 00:06:45.645
If you’ve&nbsp;been paying really close attention, you’ll see that this shelf has changed the most

00:06:45.645 --> 00:06:49.170
because I&nbsp;actually need the things in it from time to time.

00:06:49.170 --> 00:06:51.159
And right now the soldering iron's missing!

00:06:51.680 --> 00:06:57.205
There's also a pin from Epcot’s Millenium&nbsp;
celebration I found in one of my junk box&nbsp;goings through.

00:06:57.205 --> 00:07:00.168
Oh, and a fake Swedish plant, of course.

00:07:00.168 --> 00:07:02.329
Here’s a trick I actually learned in school -

00:07:02.329 --> 00:07:06.226
the DC power supply is sitting on&nbsp;
a plastic storage container

00:07:06.226 --> 00:07:11.213
that’s been covered in black fabric to make a tasteful&nbsp;
but cheap makeshift display stand.

00:07:11.760 --> 00:07:13.982
And now here’s another hodge podgey cube.

00:07:13.982 --> 00:07:18.733
On another tupperware stand is my late grandfather’s 8mm movie camera.

00:07:18.733 --> 00:07:22.582
It is… sort&nbsp;of functional - you can get it to run

00:07:22.582 --> 00:07:24.760
if you force the winding key forward,

00:07:24.760 --> 00:07:27.539
I suspect it&nbsp;just needs a good lubrication.

00:07:27.539 --> 00:07:30.609
Opposite to it is a movie reel that it shot.

00:07:30.609 --> 00:07:33.392
There’s also the&nbsp;basic thermostat from the thermostat video,

00:07:33.392 --> 00:07:35.111
one of the many additions over the years,

00:07:35.111 --> 00:07:39.341
and&nbsp;a 5 inch CRT from a cheap portable black and white television,

00:07:39.341 --> 00:07:42.400
the same one I used in&nbsp;the analog television videos years ago.

00:07:43.120 --> 00:07:47.284
And then we have yet another fake&nbsp;
Swedish plant, and a lava lamp.

00:07:47.840 --> 00:07:51.066
Down here is the Betamovie and&nbsp;
some Beta cassettes.

00:07:51.066 --> 00:07:52.182
[extended pause]

00:07:52.571 --> 00:07:53.269
That’s it.

00:07:53.440 --> 00:07:57.302
Next we have a Sony television set that many of&nbsp;
you have asked about.

00:07:57.302 --> 00:08:00.612
This is a portable model, the TV-750,

00:08:00.612 --> 00:08:03.852
and It appears to have been introduced&nbsp;
in 1972.

00:08:03.852 --> 00:08:06.722
It still works, but barely.

00:08:06.722 --> 00:08:11.622
The picture tube is quite dim and I’m sure this could&nbsp;
do with a complete electronics restoration.

00:08:11.622 --> 00:08:16.079
I would show you but I don’t know&nbsp;
where its power cord is at present so…

00:08:16.240 --> 00:08:17.172
sorry.

00:08:17.172 --> 00:08:21.120
A monochrome Rubik’s cube sits&nbsp;
atop it because it’s insufferably clever.

00:08:21.920 --> 00:08:24.529
This next cube is an assortment of objects.

00:08:24.529 --> 00:08:29.166
This mug is covered in the original Future World pavilion logos from EPCOT Center,

00:08:29.166 --> 00:08:32.814
released in&nbsp;mug-form as part of EPCOT’s 35th anniversary.

00:08:32.814 --> 00:08:35.060
Then there’s a lava lamp behind it.

00:08:35.060 --> 00:08:37.676
This snake was just&nbsp;a thrift store find -

00:08:37.676 --> 00:08:40.926
I sort of suspect somebody’s child painted this thing?

00:08:40.926 --> 00:08:43.888
I dunno, sorry Jimmy&nbsp;
if your parents didn’t keep it.

00:08:43.888 --> 00:08:48.817
And behind it is a very strange and slightly suggestive clown&nbsp;
figure.

00:08:48.817 --> 00:08:50.800
I’ve named it Disposo, naturally.

00:08:51.600 --> 00:08:57.600
Directly behind me which you can’t ever see during&nbsp;
talking heads is a very important-to-me radio.&nbsp;&nbsp;

00:08:57.600 --> 00:09:03.664
This is a Philco 42-PT7, a basic tabletop radio&nbsp;
from 1942.

00:09:03.664 --> 00:09:05.685
It’s a simple design, but very nice,

00:09:05.685 --> 00:09:09.154
and while it’s missing a knob it’s still&nbsp;quite beautiful to me.

00:09:09.154 --> 00:09:13.639
It’s important to me because it was really the first electronics&nbsp;
project I ever embarked on -

00:09:13.639 --> 00:09:19.827
I recapped this radio many years ago, and it introduced me&nbsp;
to the world of antique radio collecting.

00:09:19.827 --> 00:09:22.351
I found it at an antique store in Michigan.

00:09:22.351 --> 00:09:28.977
Behind it is a framed Laserdisc of 1776 
that sits there simply to&nbsp;hide what’s behind the set.

00:09:29.280 --> 00:09:31.709
Next is another rather simple assortment of&nbsp;
things.

00:09:31.709 --> 00:09:34.779
It’s mostly reel-to-reel tape stuff, with a reel at the back,

00:09:34.779 --> 00:09:37.920
Scotch boxes,&nbsp;and of course a Spaceship Earth mug

00:09:37.920 --> 00:09:41.576
which stays as part of the set because&nbsp;
it's a ridiculous mug to drink from.

00:09:41.920 --> 00:09:45.280
There’s another functional light socket&nbsp;
with a squirrel-cage filament bulb,&nbsp;&nbsp;

00:09:45.280 --> 00:09:47.534
though this one is a globe shape,

00:09:47.534 --> 00:09:50.754
and that pear&nbsp;is another random thrift store knick knack.

00:09:51.280 --> 00:09:53.387
Over here is a pair of lanterns,

00:09:53.387 --> 00:09:57.555
one an old railroad lantern which leaks and the other…

00:09:57.555 --> 00:09:59.612
well I don’t know the&nbsp;origin of this exactly

00:09:59.612 --> 00:10:01.091
but it’s not an antique,

00:10:01.091 --> 00:10:03.158
just a bit of decor.

00:10:03.158 --> 00:10:06.705
And there’s a white&nbsp;Mold-A-Rama figure of the Space Shuttle.

00:10:06.705 --> 00:10:10.320
Lanterns will be coming as a subject in&nbsp;
the not-too-distant future, by the way.

00:10:10.960 --> 00:10:12.887
Let’s talk about this cubby.

00:10:12.887 --> 00:10:15.066
Nothing has&nbsp;ever really gone here.

00:10:15.066 --> 00:10:19.001
I’ve been meaning to fix that for ages but… haven’t.

00:10:19.001 --> 00:10:22.619
Almost&nbsp;the entire time this set has been in use,

00:10:22.619 --> 00:10:27.081
there has been a DVD copy of The Terminal&nbsp;
starring Tom Hanks sitting there.

00:10:27.840 --> 00:10:30.142
Don’t ask me why as I truly do not know,

00:10:30.142 --> 00:10:33.683
and in the last couple of months this loudspeaker driver and crossover

00:10:33.683 --> 00:10:35.520
have&nbsp;been sitting here because I’m lazy.

00:10:36.240 --> 00:10:39.214
On the bottom-right is the closed captioning&nbsp;
decoder,

00:10:39.214 --> 00:10:42.321
and a dolphin figurine that I claimed when my parents moved

00:10:42.321 --> 00:10:44.265
sits on top because&nbsp;I like it.

00:10:44.265 --> 00:10:47.361
And yes, the Teletext video hasn’t happened yet.

00:10:47.361 --> 00:10:50.698
I'm very aware of that. I’m just…

00:10:50.698 --> 00:10:53.360
well we’ll get there eventually. I promise.

00:10:54.160 --> 00:10:55.782
Alright, and top row!

00:10:55.782 --> 00:10:59.184
This is the vast&nbsp;majority of my Laserdisc collection.

00:10:59.184 --> 00:11:02.240
I’ve got a few things that aren’t&nbsp;
here but this is mostly it.

00:11:02.960 --> 00:11:05.094
Yep, I’m not a huge collector of them -

00:11:05.094 --> 00:11:08.725
they’re just delightfully giant optical discs and fun to use.

00:11:08.725 --> 00:11:11.680
Definitely not, like,&nbsp;my favorite way to watch a movie, though.

00:11:12.320 --> 00:11:16.046
Then we see the wee little GE TV that me got&nbsp;for free

00:11:16.046 --> 00:11:17.209
(tee hee)

00:11:17.209 --> 00:11:19.183
at a garage sale years ago.

00:11:19.183 --> 00:11:22.212
A couple of VHS sleeves for Cosmos sit atop it,

00:11:22.212 --> 00:11:27.564
and the RGB electron gun of flashlights from the 
shadow mask video sit atop it as&nbsp;well.

00:11:27.564 --> 00:11:31.156
Unfortunately something went wrong with the deflection yoke on this thing

00:11:31.156 --> 00:11:33.360
and now&nbsp;the screen is all trapezoidal and messed up.

00:11:33.920 --> 00:11:38.955
Not too much of a shame, though, as this thing&nbsp;
is more useful as a prop than a TV, anyway.

00:11:39.440 --> 00:11:41.179
Next to it are my CEDs,

00:11:41.179 --> 00:11:44.733
they’ve been up here&nbsp;since before the CED series ever got made.

00:11:44.733 --> 00:11:50.438
Sitting in front of them is a Walkman which is&nbsp;
aesthetically excellent but functionally a little off -

00:11:50.438 --> 00:11:55.176
it’s got a new belt but there’s a&nbsp;lot of flutter so I never really used this thing,

00:11:55.176 --> 00:11:59.366
even though it’s an auto-reverse Walkman with&nbsp;
Dolby B and again is…

00:11:59.366 --> 00:12:01.546
just excellent looking.

00:12:02.000 --> 00:12:06.800
Marty the Squirrel, another thrift store knick&nbsp;
knack, sits in front of a pair of Sony Dynamicron&nbsp;&nbsp;

00:12:06.800 --> 00:12:12.033
VHS slipcovers, and an L-750 Beta sleeve is&nbsp;
above it at a wonky angle.

00:12:12.033 --> 00:12:14.852
There are also two books given to me by a friend -

00:12:14.852 --> 00:12:17.040
including&nbsp;a penny collector’s collection collector.

00:12:17.680 --> 00:12:20.182
And lastly there’s the top right cubby.

00:12:20.182 --> 00:12:21.719
This has another antique radio,

00:12:21.719 --> 00:12:24.575
an AM-FM tabletop unit from Silvertone,

00:12:24.575 --> 00:12:26.612
and I also restored&nbsp;this one.

00:12:26.612 --> 00:12:28.441
Last time I fired it up it worked great,

00:12:28.441 --> 00:12:30.659
and I really do love the design of this.

00:12:30.659 --> 00:12:36.990
In front&nbsp;of it are spare knobs that I harvested from a different Silvertone radio long ago that happen to match it.

00:12:36.990 --> 00:12:42.281
On top of&nbsp;it is the Olympus Pen EES-2 which actually got a mention not too long ago

00:12:42.281 --> 00:12:45.553
(and a Sears brand flash&nbsp;unit is attached to it),

00:12:45.553 --> 00:12:50.614
and another Rubik’s cube, though this one with normal colors sits on top the radio.

00:12:50.614 --> 00:12:53.360
Oh,&nbsp;and behind it is some fake Swedish grass.

00:12:54.080 --> 00:12:56.946
Finally, there’s an assortment of miscellanea&nbsp;
up top.

00:12:56.946 --> 00:13:01.228
A pair of Inifinity RS-2000 speakers sit atop the smaller cases

00:13:01.228 --> 00:13:03.264
because they’re&nbsp;aesthetically pleasing

00:13:03.264 --> 00:13:07.524
(and actually quite nice, though they have fairly weak bass&nbsp;response).

00:13:07.524 --> 00:13:12.091
Then there’s this 3D printed model I made basically at the very start of&nbsp;this channel

00:13:12.091 --> 00:13:16.523
to help visualize the difference between Edison’s vertically-cut cylinder&nbsp;records

00:13:16.523 --> 00:13:18.998
and Berliner’s laterally cut discs.

00:13:19.360 --> 00:13:21.391
That’s right, I used to have a 3D printer,

00:13:21.391 --> 00:13:24.800
or&nbsp;rather I still do but it’s crap and broken.

00:13:25.520 --> 00:13:29.057
Then there's the deflection yoke for the little 5 inch&nbsp;
CRT.

00:13:29.057 --> 00:13:31.149
It sits here because…

00:13:31.149 --> 00:13:33.198
because it was a good place to put it I guess?

00:13:33.198 --> 00:13:36.556
And there’s also a lonely&nbsp;
drill bit up here because…

00:13:36.556 --> 00:13:38.365
of course there is.

00:13:38.480 --> 00:13:40.440
And that’s all the stuff you can see.

00:13:40.440 --> 00:13:43.899
But before&nbsp;I go, there’s one other important thing goin’ on.

00:13:43.899 --> 00:13:45.232
The colors.

00:13:45.232 --> 00:13:48.008
Lately the set has looked&nbsp;
like this more often than not,

00:13:48.008 --> 00:13:51.684
but if you’ve been paying attention you’ll have&nbsp;
seen those colors change,

00:13:51.684 --> 00:13:55.642
and sometimes they’ve not been colors at all, but instead&nbsp;
imagery.

00:13:55.642 --> 00:13:58.862
And that’s what this remote is for.

00:13:59.360 --> 00:14:01.255
See … those colors?

00:14:01.255 --> 00:14:03.335
Those come from a&nbsp;TV.

00:14:03.335 --> 00:14:05.218
Two to be more precise.

00:14:05.218 --> 00:14:08.669
There are two very cheap 55 inch TVs

00:14:08.669 --> 00:14:12.592
literally hanging&nbsp;off the back of this set facing me.

00:14:12.960 --> 00:14:17.035
This set isn’t against the wall for this reason,&nbsp;
and that’s why the items at the top

00:14:17.035 --> 00:14:18.940
completely fill the cubbies.

00:14:18.940 --> 00:14:22.777
I didn’t want the chains&nbsp;that the TVs are hanging from to be visible,

00:14:22.777 --> 00:14:26.614
or for you to have much of a clue what exactly was&nbsp;
going on.

00:14:26.614 --> 00:14:29.109
This wasted cubby here with the drawers?

00:14:29.680 --> 00:14:32.423
That wasn’t planned, I genuinely I had&nbsp;
this idea

00:14:32.423 --> 00:14:36.457
after I had already built this and started making inserts.

00:14:36.457 --> 00:14:39.428
But truthfully I&nbsp;think it makes the illusion all the better.

00:14:39.428 --> 00:14:43.744
Because I’m unforgivably lazy, the TVs are powered&nbsp;
by Chromecasts

00:14:43.744 --> 00:14:47.594
which mirror the desktops of my PC and Chromebook.

00:14:47.594 --> 00:14:52.190
I just set them up before I go&nbsp;
to film the talking head or B-roll, and that’s that.

00:14:52.190 --> 00:14:55.677
I made templates forever ago which I can&nbsp;
use to make more stuff,

00:14:55.677 --> 00:14:59.611
but I’ve been using this standard color grid for a while because I like it.

00:14:59.611 --> 00:15:03.316
Though, I may finally do what I set out to do long ago and set up a video

00:15:03.316 --> 00:15:05.538
where these slowly change&nbsp;
over time.

00:15:05.538 --> 00:15:09.118
I’m just, as I said, unforgivably lazy.

00:15:09.440 --> 00:15:14.640
And that’s also why this set looks so&nbsp;
incredibly drab in some of my Connextras videos.&nbsp;&nbsp;

00:15:14.640 --> 00:15:17.280
If I don’t power it up and set up the screens,&nbsp;&nbsp;

00:15:17.280 --> 00:15:20.170
it just looks kind of… sad.

00:15:20.170 --> 00:15:23.040
Look, I’ll go&nbsp;cycle it off and on which will kill the TVs.

00:15:24.480 --> 00:15:27.292
Sure, that’s much better than completely&nbsp;
off,

00:15:27.292 --> 00:15:31.508
but the stark black background is nowhere near as interesting.

00:15:31.508 --> 00:15:34.484
I’m actually&nbsp;quite proud of this idea if you can’t tell.

00:15:35.040 --> 00:15:38.700
But I still can’t believe that I’m here right now.

00:15:38.700 --> 00:15:43.336
Never in a million years did I think a million subscribers would happen.

00:15:43.336 --> 00:15:46.036
I thought I was just&nbsp;too weird,

00:15:46.036 --> 00:15:49.483
that this channel idea wouldn’t have wide enough appeal.

00:15:49.483 --> 00:15:51.349
I’m delighted to have been&nbsp;wrong

00:15:51.867 --> 00:15:55.718
(though I am still just… absurdly weird).

00:15:56.080 --> 00:15:57.709
Thank you for subscribing,

00:15:57.709 --> 00:15:59.799
for&nbsp;watching my videos all these years,

00:15:59.799 --> 00:16:05.429
and leaving me with this bright spot at the&nbsp;
end of an otherwise incredibly awful year.

00:16:05.920 --> 00:16:08.972
Yep, this actually happened in 2020.

00:16:08.972 --> 00:16:11.603
I was&nbsp;actually kind of hoping that wouldn’t happen,

00:16:11.603 --> 00:16:14.338
that the flip would occur in 2021,

00:16:14.338 --> 00:16:17.810
but something about&nbsp;dishwashers just really piqued your interest.

00:16:17.810 --> 00:16:21.195
I’ve been very fortunate in an otherwise tumultuous&nbsp;
year,

00:16:21.195 --> 00:16:23.835
and I try to remember that as often as I can.

00:16:23.835 --> 00:16:28.207
Of course, that wouldn’t be possible without&nbsp;
my amazing supporters on Patreon,

00:16:28.207 --> 00:16:31.259
and today I’d like to thank each and every one of you.

00:16:31.259 --> 00:16:34.105
Thank&nbsp;you for making Technology Connections possible,

00:16:34.105 --> 00:16:38.381
and for keeping me focused through this wild ride&nbsp;
of a year.

00:16:38.381 --> 00:16:42.234
Here’s to a brighter and better 2021!

00:16:43.112 --> 00:16:45.800
♫ celebrationally smooth jazz ♫

